![]() ![]() By any measure, “The Marvels” is one of the fall’s most anticipated titles.īut it’s also a big-budget attempt to try some new things. It’s loosely a sequel to 2019’s “Captain Marvel,” which surpassed $1.1 billion worldwide. Jackson, isn’t anyone’s idea of going far out on a limb. “The Marvels,” which stars Bree Larson, Teyonah Parris, Iman Vellani and Samuel L. “I also think you have to not set your sights on such a big box-office return so then you can comfortably take risks.” “The more we can do that as an industry, the better,” DaCosta said in a recent interview, praising the originality of that animated Marvel movie released earlier this year. For DaCosta, whose two previous films were the Jordan Peele-produced horror remake "Candyman" and the acclaimed 2018 indie crime drama "Little Woods," it's imperative that superhero movies aspire to be fresh and daring - like "Across the Spider-Verse." While no one's doubting the supersized place of superheroes in Hollywood, mass success for Marvel no longer seems quite so automatic. Box office-dominance this year has been ceded to Barbie and Mario. 10, it will be debuting in uncommonly uncertain times for superhero films. When "The Marvels" opens in theaters Nov. They’re like: ‘I’ve seen it before, and I liked it the first time.’” I think that’s what the audience is feeling. And there’s a conundrum where you’re so big that you can’t take risks. “As you make more and more films, you want those films to be more interesting, more dynamic and to appeal to different audiences. “Growth has to stop at some point,” says DaCosta. Even superhero spandex can’t sustain endless cycles of wash, rinse and repeat. Success inevitably breeds bigger budgets. It basically comes down to, she says, "Mo' money, mo' problems." NEW YORK - (AP) - Nia DaCosta, director of the upcoming "The Marvels," has a diagnosis for the recent struggles of superhero movies.
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